Since the article has just been published on Speedhunters, I can finally share the results of this shoot which took place last month outside London. Rather than try to repeat Ben’s words from the article, I thought some of you might be more interested to read about the photography side of things.
With the extended winter we seem to be having, we were confined to an indoor location. Thankfully, Richie from Milestone71, based just outside London, gave us full access to his new workshop. The primary light source was via a large frosted window on one side of the workshop. There were ceiling lights but we only had those turned on for one or two shots. To balance the window, I used up to three speedlights on varying power settings and all diffused (two bounce brollies & one small soft box). Some of the exteriors were shot with just the small soft box providing fill in the shadows. All the details were shot with the same single soft box.
Being a light coloured car, it reacted really well with the lights. The only difficulty was trying to ensure that the car didn’t appear white, as it’s more of a light cream colour. It was just one of those shoots where things worked, and very little post work was required. I would have liked some alternate locations and maybe some tracking shots, but it just wasn’t going to happen with the weather refusing to play ball.