Recent Editorial Work – Gepfeffert’s Carbon Volkswagen Golf GTI
Client: Speedhunters Intent: Editorial Date: May 2015 Location: Wörthersee, Austria. Original Feature: http://www.speedhunters.com
A Classic – The Players Golf MKI
Since the article has just been published on Speedhunters, I can finally share the results of this shoot which took place last month outside London. Rather than try to repeat Ben’s words from the article, I thought some of you might be more interested to read about the photography side of things. With the extended winter we seem to be having, we were confined to an indoor location. Thankfully, Richie from Milestone71, based just outside London, gave us full access to his new workshop. The primary light source was via a large frosted window on one side of the workshop. There were ceiling lights but we only had those turned on for one or two shots. To balance the window, I used up to three speedlights on varying power settings and all diffused (two bounce brollies & one small soft box). Some of the exteriors were shot with just the small soft box providing fill in the shadows. All the details were shot with the same single soft box. Being a light coloured car, it reacted really well with the lights. The only difficulty was trying to ensure that the car didn’t appear white, as it’s more of a light cream colour. It was just one of those shoots where things worked, and very little post work was required. I would have liked some alternate locations and maybe some tracking shots, but it just wasn’t going to happen with the weather refusing to play ball.
3SDM 0.01 Wheel Shoot
Just before Christmas last year, I journeyed north to a small village west of Belfast called Magherafelt. My brief was to shoot a couple of cars which were running a new wheel by UK wheel company 3SDM. The 0.01 is 3SDM’s flagship model and it’s not too difficult to see why. As far as the shoot was concerned, the day turned out to be a nightmare. Gusts of wind and heavy rain interrupted shooting all day (along with taking my Nikon SB800 being blown clean off the top of a light stand). Moving the cars to a backup location provided a stroke of luck however. With the winter sun setting over the Ulster countryside, we were gifted with a half hour of magical light. For the processing, I used a simple system of compositing the lit cars onto naturally exposed and developed backgrounds. Any of you who get past the opening line on any of my posts here will know I’ve been trying to work on my processing skills lately and hopefully you’ll enjoy the fruits of my labour. More images after the jump …
