RWB Number One – Composite Image Build
Post processing a digital photograph is one of the most important aspects of modern photography. Sure, you’ll hear plenty people complaining that it’s ‘cheating‘ but you’ll usually also notice the same people can’t tell their arse from their elbow when it comes to editing an image. After all, even traditional film photographs need to be dodged, burned, exposed etc. before they are fit for purpose. I guess it comes down to each individual situation. Personally, if I’m shooting an event I’ll limit my PP work to a minimum in order to ensure I can get my photographs out as soon as possible and also to give a fair and honest reflection of what occurred. I do think it’s wrong to remove / add items to an image which is to be used for traditional journalism purposes. That is cheating in my opinion. If you’re tasked to create an image fit for advertising or promotional use, then all bets are off. It’s requires a huge amount of thought and vision both during the shoot and through the processing stage. Although I currently don’t shoot a whole lot of commercial work, it’s something I’m interested in. Whenever I have spare time, I usually find myself searching the web for the best contemporary examples of high end commercial photography. I then try and figure out how the image was lit and processed and see if I can replicate it. This is all part of a personal drive to improve my skill set. What I’ve included below is the images which were used in the creation of the above image. It was pretty much an afterthought to use this shot so there are definitely a lot of things I would have changed if I was shooting it again. But what I really wanted to […]
Number One
With December just about to roll around (memo to self, buy Christmas presents) the motorsport season is well and truly done for twenty-eleven. The off-season gives us a chance to relax, reflect and reminisce about the season. We can finally sit back and begin to take everything in. Because their is so little shoots during these dark months, I usually spend my time trying work on my processing styles. This usually involves going absolutely and completely overboard with my processing to the extent that it might make your eyes bleed. But it’s for good reason. By pushing everything up to eleven, it helps me figure out just how far is too far. From this I can scale things back and find a happy medium. I’ve always wanted to try and create a processing style which pays homage to old photographic prints that have faded, been marked etc. I shot this 993 Porsche recently for Speedhunters and thought it was the perfect shoot to revisit and experiment. You can check out the original feature for comparison here. The rest of the images are after the break …